A B.C. Supreme Court judge found no evidence that Mayor Gregor Robertson was in conflict of interest over the lease of city building to HootSuite.

But Justice Christopher Hinkson took issue with the level of secrecy surrounding the deal in his July 21 written verdict.

The court petition led by Cedar Party mayoral candidate Glen Chernen sought Robertson’s disqualification from office for failing to disclose a direct or indirect pecuniary conflict of interest. Hinkson said there was no evidence that “modest campaign assistance” given to Robertson by the social media company in 2011 was linked to the lease and option to purchase the property and he wrote that a big city mayor’s job includes interacting with corporations to help benefit the community.

The East Eighth Ave. building was put on the block in February 2012, three months after HootSuite hosted Robertson’s re-election campaign “Twitter town hall” two days before the civic vote.

The former Vancouver Police building was assessed at $9.619 million, while an appraisal set it at $9.95 million. A $7.5 million offer was the highest of the four received by the April 13, 2012 deadline, so the city pulled it from the market. On May 15, 2012, an agent for HootSuite offered $7 million. City council met behind closed doors on June 27, 2012 and agreed on a five-year lease with an option to purchase for $9.3 million.

“While the (Vancouver Economic Commission) and the City of Vancouver both have the corporate goal of maintaining quality employers in Vancouver, the City of Vancouver has a policy of only selling or leasing property at (or if possible above) its fair market value, unless it is to a non-profit organization, which would not include HootSuite,” Hinkson wrote.

“The agreement negotiated by the Real Estate Department with HootSuite satisfied the Real Estate Department’s mandate of realizing at or above fair market value for city-owned property.”

Hinkson rejected the notion by Robertson’s lawyer Joseph Arvay that Chernen and his fellow petitioners acted maliciously or were engaged in scandalous or outrageous conduct.

“While it is true that I have found that their petition lacks legal merit, the proceedings are at an early stage, and the process followed by the city in leasing the property was somewhat shrouded in secrecy until a point after which the petition was filed,” Hinkson ruled.

He noted that the city initially refused to provide lease and option details via Freedom of Information until after an inquiry was scheduled by the Office of the Information and Privacy Commissioner. The city finally revealed in January of this year that the deal included a seven-month rent holiday, $17 per square foot lease rate and $700,000 tenant improvement allowance.

“Additionally, the petitioners have learned that HootSuite also entered into a contract with the city, that was not put out to tender and bid, whereby it is paid on a monthly basis for services involving social media management and tracking,” Hinkson wrote. “The city has refused to disclose the value of this contract.”

In February, city hall revealed via FOI that HootSuite paid $692,145.80 for rent, parking and property taxes in 2013, slightly less than the $698,922 paid by city hall to HootSuite under the tenant improvement allowance clause. City hall also spent $42,438.92 of taxpayers’ money to use HootSuite software in 2013, including $1,667.34 for the mayor and his staff.



- See more at: http://www.vancourier.com/news/challenge-to-mayor-over-hootsuite-deal-flops-1.1254423#sthash.wxN6Eszw.0rLxl9lW.dpuf

The history of the nation is inextricably linked to the written word; Icelanders produced the Sagas and the Poetic Edda, captivating historical (and sometimes fantastical) records of the country’s early years, filled with heroes, villains and monsters, written down almost a millennium ago and inspiring countless writers, include J.R.R. Tolkien. (A new translation of the Edda will be published by Canadian poet Jeramy Dodds this fall.) Literature has always been part of Iceland’s national identity.

“We really feel, and think, that our little contribution to world literature is worth noticing,” says Sjón, one of the country’s foremost contemporary authors, sitting in a bookstore in downtown Reykjavík on a rainy April morning. “This was a very poor country — a third-world country — until well into the second, third decade of the 20th century,” he says. “We have no cathedrals to show from the past. We have no paintings. We have no symphonies. We’ve got nothing.

“Literature is the only constant cultural activity that has been going on here throughout the centuries.”

It’s an ongoing cultural activity. While the Icelandic Publishers Associations boasts about 40 members, including Forlagið, the largest of the country’s publishing houses, Loftsdóttir says the real number is north of 100 when you factor in tiny indie publishers and pop-up concerns that release a book or two before vanishing. (Although I never got my hands on one of their titles, I kept hearing about Tunglið (Icelandic for moon) which publishes two books every full moon in editions of less than 100.)

“We don’t know very much about banking, but we know about books,” says a smiling Agla Magnúsdóttir of the Icelandic Literature Center, which was created last year to promote Icelandic writing abroad. (Curiously, the economic crash, which was just beginning to strike the country last time I visited, in 2008, may have actually helped book sales: “People kept on buying book, if they didn’t just buy more books,” says Magnúsdóttir. “Instead of weekend trips, they spent the money buying books.”)

Rightly, the PA at the Roxy on Los Angeles’ Sunset Strip blasted nothing but Ramones records in the hour before showtime. But on a day, July 12th, charged with the news of the passing of that band’s last, surviving original member, drummer Tommy Ramone, it was fitting – and heartening – to hear and see another foursome from punk rock’s first golden wartime, L.A.’s X, intact and in searing-rebirth form, on home ground.

Read more: http://www.rollingstone.com/music/blogs/alternate-take/x-revisit-pair-of-punk-touchstones-at-explosive-l-a-shows-20140714#ixzz37bJLvdJi
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